[原创][翻译]宫崎骏在近藤喜文追悼会上的悼词

tower2 发表于 2006-5-4 20:55:36

送别近藤喜文
翻译：Tower2
所有翻译均为动画爱好者交流所用
版权归原作者及所属媒体所有
翻译部分未经允许，请勿转载.
我们都叫他“Kon-Chan”。他是我所见过的几百个动漫家中最好的那一批的其中的一位。
当他年纪轻轻时，他的绘画就洋溢着对青春活力::自::由::的由衷赞美。
当他攀登着艺术高峰，并最终到达山顶，看到一望无际的蓝色海洋或者晴朗的天
空时——他的作品也展示出了这种::自::由::的感觉。
我很自豪地认为我是能够最深入和最适当地欣赏他的天赋的人。
当他20多岁时，而我30多岁，我们曾经一起讨论我们想制作的电影，肩并肩地坐在一起，用我们的手交流着。
如果我们有一个机会，就算它只是非常小，让我们能够制作一部最能表达Kon-
Chan的角色的动画电影——比如像菲利帕·皮尔斯的《汤姆的午夜花园》那样（
译者注：这是现代儿童文学经典之作，本人强烈推荐有条件的朋友阅读）尽管考
虑到那个时候的情况是不可能的，我自己已经决心总有一天我们能够实现这样一
个计划。
但是，在他的成就里，他和我完成的作品相对要弱势一点。
尽管我们有一些机会，但是就是没有行动起来。
我本人是非常没有耐心的。我有许多不同的想法，甚至同一时刻在我内部都有很
多矛盾的东西，这也改变着我的方向。但是他真的是个慢性子，一旦他有了想法
，他就一直坚持下去。
我是那种当船只还没有出现沉没迹象的时候就会抛弃船只的人，而Kon-Chan则是
那种深爱着船只和船只上的人，而选择和船只一起沉没。 在绝大多数关键时刻，我们总是有逐渐远离的倾向，Kon-Chan则在一个职业动漫
家的巅峰期和Paku（高畑勲）一起完成作品。尽管我很欣赏他的高品质，有内涵
的作品，但是我总觉得有点不河蟹。
为什么他强迫他自己做这些呢？为什么他不能用更直接的方式来表达他的意愿呢
？有时候，我觉得很泄气。
但是，也许是Kon-Chan觉得他不想被那个没有耐心并且气势汹汹的宫崎骏所连累
吧。
随着时光流走，甚至一个小裂缝都能被拉大。有些事情只能这样。但是，当他导
演《侧耳倾听》时，我觉得我最终实现了我多年前的承诺。
他作出一个很棒的作品，达到了我们对他的期望。这一定对他的精神和身体都是
一次艰苦的旅程，但是他从来没有抱怨过一次，并且用他的耐心完成了这部作品
。
尽管随着时间的改变，它也会改变着它的形式，但是《侧耳倾听》绝对是在我们
20多岁和30多岁时曾经想制作的那种电影。
我不会忘记当Kon-Chan年轻时制作的一副场景。那是在《未来少年柯南》里的一
幕，当男主角笑着让女主角高兴起来的举动。
由于长时间的工作导致的疲惫，他常常在朦胧的状态下绘画，在他桌子那蜷缩起
来。但是，这个男孩的表情真的很让人振奋，脸上洋溢着温柔和蔼的样子。它真
是一副很棒的图画。
因此，甚至当我在医院的重症监护病房看到身上插满了各种管子的Kon-Chan时，
我还觉得真正的Kon-Chan就在里面，平安无事。我觉得他很快就会好起来。
在这之前他已经做了几次刺肺活检。尽管医生告诫他说除非在医院好好治疗，否
则他就会死，但是他仍然不放弃工作，用针灸缓解疼痛。我也很确信他这次一定
也能回来。。。
尽管他将要做刺肺活检之前，Kon-Chan就一直抗拒着病痛，没有停下手中的笔。
在我们这个行业，我们都在耗损自己，一旦我们小功告成，我们就简短地休息一
下，然后继续投入工作。
——我就是这样想的。
他的固执经常让我恼火。他是那种耐心等待雪自己融化的人。但是这次，他先我
而去。
在我刚给他一份任务的时候，他住院了，而他也只是和平时一样，嘀咕几声就接
下了任务。
除了说对不起，我什么也说不出来了。
我真的很后悔。
 但是他真的是个有耐心的人。耐心到连护士都印象深刻。
Kon-Chan， 奔向那蓝色的大海， 奔向那晴朗的天空， 轻轻地融入光线，微风，树木，流水和大地， 安息吧。 我永远不会忘记你。
1998年1月23日 宫崎骏
<IMG src="http://totoro.qq.topzj.com/attachments/m42//42/10/42106/forumid_445/17e1vw==_hjB2HDrwCADc.jpg" border=0>
<IMG src="http://www.nausicaa.net/miyazaki/kondo/anne3a.jpg" border=0>
[此贴子已经被作者于2006-8-30 22:45:27编辑过]

tower2 发表于 2006-5-4 20:56:38

Sending off Kondo Yoshifumi Kun
 We called him Kon-Chan. He was one of the best among the hundreds 
of animators I ever met.
 When he was young, his drawings were shining with the real 
admiration towards youthful freedom.
 Just as when you climb a slope and finally see a vast blue ocean 
over the mountain, or like a fine clear sky - his work showed such a 
sense of freedom.
 I pride myself as someone who appreciated his talent most deeply, 
and appropriately.
 When he was in his 20s, and I was in my 30s, we used to talk about 
movies we wanted to make, sitting side by side, talking with our hands.
 If we have an opportunity, even if it's only a small piece, let's 
make an animation which can express Kon-Chan's character, his 
admiration most - something like Tom's Midnight Garden by Phillipa 
Pearce. Although it was almost impossible considering the situation at 
that time, I had decided on my own that we would someday realize such a 
project.
 Still, among his achievements, the works which he did with me were 
rather minor.
 Although we had several opportunities, something just didn't click.
 I am very impatient. I have many different opinions, many 
contradictions within me at the same time, and change my direction as I 
go through. But he was really slow-paced, and once he had made up his 
mind, he tried to stick to it.
 And I'm a kind of person who abandons the ship even before it 
becomes clear the ship is sinking, while Kon-Chan was a kind of person 
who loves the ship and the people on the ship, and chooses to go down 
with the ship.
 We departed from each other a little by little in the most critical 
moments, and Kon-Chan accomplished the works with Paku-San (Takahata-
San) as his pinnacle as a professional (animator). Although I 
appreciated his high-quality, heavy works, I felt a bit of incongruity.
 Why was he forcing himself to do this? Why couldn't he express his 
admiration in more straightforward way? Sometimes, I felt frustrated.
 But, maybe Kon-Chan felt that he didn't want to be dragged around 
by impatient and forceful Miyazaki.
 Even a small rift can be widened as the time goes by. Some 
awkwardness could not be helped. Still, when he directed "Whisper of 
the Heart", I felt that I finally kept the promise I made a long time 
ago.
 He did a great work and met our expectation. It must have been 
tough on his mind and body, but he never complained once, and 
accomplished the work with his patience.
 Although it has changed in its form as the time went by, "Whisper 
of the Heart" was definitely the work which we, in our 20s and 30s, had 
wanted to make someday.
 I can't forget one scene which Kon-Chan did when he was young. It's 
a scene in "Future Boy Conan", where the hero laughs to cheer the 
heroine up.
 Being very tired from the long work hours, he drew it half-
unconscious, crouching over his desk with his long legs folded. Still, 
the expression of the boy was really cheerful, full of gentleness and 
consideration. It was really a great picture.
 So, even when I saw Kon-Chan with many tubes attached to him in the 
ICU at the hospital, I could feel that the real Kon-Chan was inside, 
unharmed. I could feel that he would be all right.
 He had punctured his lungs several times before. And even though 
the doctors had told him that he would die unless he was hospitalized, 
he always came back to work, managing the pain with acupuncture. I was 
convinced that he would surely come back this time, too....
 Even though his lungs were about to be punctured, Kon-Chan didn't 
stop moving his pencil, withstanding his pain. In many ways, in our 
profession, we wear ourselves out, and once we get through this final 
rap, we can take a brief rest, and we can start working again -
 - so I had assumed.
 He often irritated me with his stubbornness. He was the kind of 
person who patiently waits for the snow to melt. But this time, he has 
gone before me.
 He was hospitalized right after I offered him another job together. 
He accepted it with his usual murmurs.
 I can't say anything other than that I'm sorry.
 I really regret it.
 But he was really patient. So patient that the nurses were 
impressed.
 Kon-Chan, To the blue ocean over the mountain,
 To the fine clear sky,
 Melting gently with light, winds, trees, water, and earth, Please rest in peace.
 I will never forget you.
January 23, 1998 Miyazaki Hayao

TAta 发表于 2006-5-5 11:09:40

（默哀一分钟）
应该为他的死悲伤还是因他的耐心与努力而振奋。。。
I will never forget you ,too.

LapuTa 发表于 2006-5-5 13:03:00

唉好悲伤尤其是读到最后一句～～

胖布头 发表于 2006-5-5 13:54:38

才华就这样被锁在了小小的棺木里面。。。
唉。。。。

jmmm 发表于 2006-5-7 15:19:29

我相信他在另外一个世界里，一定还在拿着画笔卷曲着表达心中的梦想。
看完之后，心里好想很想流下一点东西，虽说伤心，但生老病死是定律，大家都没有办法改变。

驿客林夕 发表于 2006-6-3 21:21:31

风之谷的追随者 发表于 2006-6-4 18:20:39

<IMG src="http://totoro.qq.topzj.com/attachments/m42//42/10/42106/forumid_445/17e1vw==_hjB2HDrwCADc.jpg" border=0>
唉，如此有才华的人去世了，痛苦，痛哭

<IMG src="http://www.nausicaa.net/miyazaki/kondo/anne3a.jpg" border=0>
[此贴子已经被tower2于2006-8-30 22:44:14编辑过]

BEANGSI 发表于 2006-6-15 06:03:02

翻译不错
近藤是不可多得的人才，他是专门负责人设还是什么来着………总之是老宫很重视的对象，可是没想到啊………………………………说不定老宫在幽灵公主后要隐退也是受了近藤的打击哟
[此贴子已经被作者于2006-6-15 6:03:31编辑过]

lsc00700 发表于 2006-7-1 17:34:09

好喜欢侧耳倾听的啊......
哎.....

Candy 发表于 2006-7-1 18:51:56

鼻子有点酸。。。。
 他真是一个了不起的人！我觉得这样的人 
 即使他已不在人世但是会觉得他还活着
 活在别人心中默祷中。。。

修己发表于 2006-7-5 16:52:24

怎末会？希望宫老长寿

xun 发表于 2006-7-30 21:00:06

连悼词都浓情重重，让人难受的悲哀

lonewolf1989 发表于 2006-8-9 11:52:25

第一次看到这么美的悼词把死亡渲染得如此~~~~~ 人去楼空心依然

Deutschland 发表于 2006-8-17 19:40:35

人生如梦~有的人梦醒了~离开了~可我们还留在梦中...........

voyager503 发表于 2006-8-21 19:12:59

原本只是抱着瞧瞧的心态看着这帖,
但看着看着我也被感动了起来
仿佛近藤喜文真的活了起来,老宫描绘的画面也在眼前一幅幅展开
不禁然也为他的离开而感动悲痛
难得是老宫赞赏的动画人啊,遗憾
[此贴子已经被作者于2006-8-21 19:13:30编辑过]

qxt123 发表于 2006-8-27 09:21:32

这篇文是宫崎大师自己写的英文吗？那就太厉害了。近藤喜文的去世，好像发生在97年的时候，我记得看过的一本书上是这么写的，在医院里还执著于工作我从那本书上得到了这么简短的一句话，然后看到他的侧耳倾听在当时风靡着校园，自己就觉得很安慰的，如果说猫的报恩是为了缅怀他的话，我更留恋侧耳倾听里的猫男爵，和它斑斓的眼睛。

萨摩耶的微笑 发表于 2006-8-29 17:19:47

还记得宫老当初给手冢爷爷写的悼词，“必须把他作为不断超越的对手”，多谦虚。现在呢，“他的固执让我恼火。”俨然已经变成大哥的样子，呵呵

520howl 发表于 2006-9-10 21:49:37

Kon-Chan， 奔向那蓝色的大海， 奔向那晴朗的天空， 轻轻地融入光线，微风，树木，流水和大地， 安息吧。 我永远不会忘记你。
1998年1月23日 宫崎骏
那个曾给予我们梦的人,离去了,还是...
化作光线，微风，树木，流水和大地,与我们同在呢...
不必悲哀...
[此贴子已经被作者于2007-2-14 10:44:05编辑过]

Cathyice 发表于 2007-1-5 11:08:38

动画人呕心呖血，太感人了

luyishiliou 发表于 2008-1-8 20:33:46

就像日本丧失天才篮球国手樱木花道一样,吉卜力丧失了一位动画天才!

luyishiliou 发表于 2008-2-4 18:28:17

愿你进入动画的梦乡!!!

想飞的鱼 发表于 2008-9-17 09:23:37

:Mseemm 好伤感。。很喜欢他的侧耳倾听
:Myanjing

何燕发表于 2008-11-1 10:44:48

原来还有这种文章楼主不错嘛

伊凡翔 发表于 2008-11-24 20:35:03

近藤喜文先生...

丸孒发表于 2009-1-24 22:27:19

請他安息。虽然觉得很可惜。

欣惜然 发表于 2009-5-26 16:33:04

近藤喜文，一位多么好的动画导演，离开真是可惜了！

Devister 发表于 2010-5-31 12:49:59

刺客子玉 发表于 2010-7-19 20:19:43

回复 16# Deutschland

我能用你的签名图吗？

刺客子玉 发表于 2010-7-19 20:22:15

《侧耳倾听》绝美绝唱啊[:mliulei]

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[原创][翻译]宫崎骏在近藤喜文追悼会上的悼词